James "Sawyer" Ford (
confidenceman) wrote2013-09-10 10:30 am
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weary memories i can always see
Even though there's an apartment waiting for him a few blocks down, secure and safe and sound, Sawyer never spends very long in the space. After months of living on an island with the open air constantly above and around him, an apartment feels too enclosed, traps him in a way that he only ever associates with danger these days, so he leaves as often as he can, sparing only a few hours each evening to recharge with fitful, restless sleep.
He avoids practically every one of them at first, the individuals who happened across him at the site of the plane crash, their eyes too knowing and tones too soft to be a coincidence. A new city isn't terribly much to take in, but trying to find the line between friend and enemy is too much of a task when Sawyer sometimes feels like he's never been a good enough judge of character in the first place. Eventually, however, the questions gnaw at him, unwilling to leave as he tosses and turns in his sheets, and unless he wants to gradually let himself drain of all energy, it needs to be addressed.
Which his why he shrugs on a jacket, stalks into the street. He's done some odd jobs here and there, but nothing requiring regular hours, so instead he walks by some of the major living establishments, trying to find her. Kara Thrace, callsign Starbuck.
Something about the way she had approached him felt safe.
With enough nosing around, he managed to lock on a likely residence, and having a free day on his hands, Sawyer sat himself down near the entrance of Chelsea Cloisters with a book in his hands to ward off any suspicion.
Hopefully she was around.
He avoids practically every one of them at first, the individuals who happened across him at the site of the plane crash, their eyes too knowing and tones too soft to be a coincidence. A new city isn't terribly much to take in, but trying to find the line between friend and enemy is too much of a task when Sawyer sometimes feels like he's never been a good enough judge of character in the first place. Eventually, however, the questions gnaw at him, unwilling to leave as he tosses and turns in his sheets, and unless he wants to gradually let himself drain of all energy, it needs to be addressed.
Which his why he shrugs on a jacket, stalks into the street. He's done some odd jobs here and there, but nothing requiring regular hours, so instead he walks by some of the major living establishments, trying to find her. Kara Thrace, callsign Starbuck.
Something about the way she had approached him felt safe.
With enough nosing around, he managed to lock on a likely residence, and having a free day on his hands, Sawyer sat himself down near the entrance of Chelsea Cloisters with a book in his hands to ward off any suspicion.
Hopefully she was around.
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He's still there when she emerges from the building, and Kara raises a brow, fingers tugging the sleeves of her jacket down. There are weeks between her and the hospital, but it still feels like people are staring, attention snagged by phantom bracelets around her wrists. Stamping the paranoia down as firmly as she can, Kara folds her arms.
"Who are you waiting for?" she asks, stopping in front of him and his book. "Or are you just creeping."
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He glances her way, gaze falling on the tight cross of her arms over her chest. Different than how he remembers her from the beach, but he doesn't push just yet.
"Not waiting anymore," he says with a faint, nervous smile, nodding down at the open space next to him on the stairs, an offer for her to join him if she'd like. He won't push her if she isn't in the mood.
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"I was going to the bar," she says. "The quiet one on O'Connell. Wanna come?"
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The book gets tucked into his back pocket. He has no way of knowing whether or not he'll be the person to leave the bar first.
"You ever look out after my drunk ass before?" he asks curiously.
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"Yeah, pretty sure," she says, letting him help her up. "You're an awful patient. But I think you looked out for mine, too."
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"Am I gonna have to look out for yours tonight?" he asks, raising a brow. "I don't even know what you're goin' home to every night."
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"Don't watch much TV. Haven't in a while," Sawyer murmurs, stuffing his hands into his pockets. "Sure he won't mind you headin' out to drink with an unsettled stranger?"
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"No TV on the island," she guesses. "Either of them. Though we did have one, but all it played was reality shows from a place called Canada."
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And wonders, more importantly, how they managed to be similar in mindset in spite of it. Maybe humanity just doesn't change much no matter where it goes.
"Well, you ain't missing out on much, save for maple syrup. That, we gotta get our hands on for you. And pancakes. We got the better pancakes in the United States of America, though — don't let 'em full you. The International House of Pancakes was founded in the US for a reason."
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She pauses, thoughts turning back to the island. "There were a lot of Canada people. Canadians. A lot of them looked the same." Kara sucks in a short breath. "Some of those looked like Calliope's father."
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When Starbuck continues, Sawyer keeps his eyes closely trained on her expression — she's got one of those faces. Conflict reads easily. It's the resolution that he can't make out.
"Wait, Canadians got a look? You don't mean like The Mounties, right?" Sawyer asks, flummoxed.
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He wonders if there are any people around that share his face and what kind of lives they've lived.
Hopefully nothing like his own.
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"Does one person showin' up make it more likely that others will?" he adds, looking up with sharp interest.
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"But sometimes only one would ever come. You could lose your mind, trying to make sense of it." Kara slides into the booth. "You were there, when I got something from home."
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He only relaxes after both of their orders have been haphazardly taken down, folding his hands on top of the table.
"I ain't the type to try and make sense of things that are too confusing," he admits, before tilting his head in interest. "What'd you get from home?"
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"Something truly awful the second time. The third..." Kara points to the tattoo spanning most of her upper arm. "My wedding band."
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He doesn't know what to say at first, gaze quickly dropping onto her tattoo, and without asking first, he reaches out as though to trace it. But he maintains that slight gap of distance, not wanting to overstep.
"The thing I was there for..." he says, frowning, and he feels echoes of her voice filtering through his head. "It was a game."
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She grins. "But in that, I kind of want to frak this dick way."
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"We did, didn't we?" he asks, eyes narrowing, though he doesn't remember any of it just yet. But it ain't hard to make the assumption. "I mean, unless I was fool, we did, right?"
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Her smile softens, just enough to make it clear that she's kidding.
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Or why it makes his chest twist.
"Wouldn't be the first time I did that," he admits, jaw tensing briefly. "Though by the sound of it, you're doin' a whole lot better now."
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"I'm not the same person I was on the island. I remember more of my life at home now, like when I left the island for here, I went back home somehow, lived more of my life there. It took a really long time to untangle in my head."
Kara grips her glass. "I'm not sure I'll ever remember everything."
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Pervasive and oppressive.
"Do you... even wanna remember everything?"
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"I think it'll make me feel less unhinged, and not just the island stuff," she continues. "The things that happened to me back home, they don't make much more sense. There was some purpose I was serving, and I don't understand it. I don't think I'll feel right until I do."
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But it just doesn't feel... like he was necessary.
"You don't think the purpose you've got here is enough?" he asks, not unkindly. "What happens if you figure out that your purpose back home isn't done. Think you'll want to leave here?"